Rarity 13.6/100 · Collector 0/100 · Deal 65.76/100 · Listings: 4 · Avg price: $121.08 · Min price: $44.23

These scores use the legacy monthly asking-price aggregate. They do not use the new exact-edition, condition, completeness, and destination-shipping rules.

Denis Dailleux’s Ghana: We shall meet again is rooted in James Town, the historic Accra neighborhood whose fishing port became one of the photographer’s principal subjects. Dailleux began returning regularly to Ghana in 2009, after more than fifteen years photographing Egypt and its inhabitants. The book therefore marks not a passing encounter, but the extension of a sustained portrait practice into a different social and coastal setting.

Rather than attempting a comprehensive account of Ghana, Dailleux concentrates on the life organized around the harbor. Fishermen move between boats, shore and open water; women and children gather and work on the port. Seascapes beneath changing skies establish a wider elemental register. Across these scenes, repeated gestures and coordinated movement give labor a measured, almost choreographic presence, while the human figure remains inseparable from tide, weather and terrain.

The photographs are distinguished by their composure and pictorial clarity, yet their calm does not remove the harder implications of the subject. Dailleux uses the port to consider bodies in space, communal rhythms, and the proximity of life and death at sea. His attention to posture and movement turns familiar activity into a study of interdependence, while the project preserves the appearance of a coastal world understood to be under threat.

Published by Le Bec en l’air Éditions in 2016, this 112-page hardcover appears in English and French. For a photobook collection, its importance lies in the focused development of Dailleux’s portraiture: the book connects his established concern with human presence to marine space, collective work and elemental change. Its value is less that of a national survey than of a closely observed, repeatedly revisited community—an example of how sustained attention can give a geographically specific subject formal and existential resonance.