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Gordon Parks: The New Tide: Early Work 1940–1950

Collector Grade · C- Rarity · Common Deal · Weak Confidence · Medium
Hardcover English 304 pages 29.46 × 25.65 × 3.56 cm 2500 g

Experimental Legacy Market Signal

Rarity 0/100 · Collector 0/100 · Deal 32.18/100 · Listings: 21 · Avg price: $6.50 · Min price: $5.63

These scores use the legacy monthly asking-price aggregate. They do not use the new exact-edition, condition, completeness, and destination-shipping rules.

Description

Gordon Parks: The New Tide: Early Work 1940–1950 concentrates on the decade in which Parks established the foundations of his photographic practice. It begins with his first published photographs in Saint Paul, follows his connection to the Chicago Black Renaissance and his mentorship under Roy Stryker, and extends to his breakthrough assignments for Ebony and Life. The resulting chronology records a rapid passage from self-taught practitioner to an artist and journalist working within major American picture magazines.

The book’s scope is broader than a portfolio of autonomous images. Bringing photographs together with period publications, and drawing upon research and previously overlooked pictures, it considers how Parks’s work circulated in print as well as how it developed formally. That framework is especially important to understanding the 1940s: his growing ambitions were inseparable from the social, cultural and political experiences he sought to articulate through photography.

Seen across this ten-year span, Parks’s early work occupies the meeting point of artistic photography, documentary observation, portraiture and illustrated journalism. The associations traced here—from Saint Paul to Chicago and then to nationally influential magazines—make visible the professional networks and editorial settings through which his voice took shape. Rather than treating his career as fully formed, the volume attends to experimentation, apprenticeship and changing opportunities, offering a more precise account of how a distinctive public language emerged.

Published in 2018 by Steidl, the Gordon Parks Foundation and the National Gallery of Art, this first-edition hardcover comprises 304 pages. For a serious photography collection, its importance rests in the sustained focus on one formative decade and in the conjunction of photographs with their publishing context. It is both a study of Parks’s development and a useful document of the relationship between photographic authorship, print culture and American public life during the 1940s.