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Tina Barney: Family Ties
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Tina Barney: Family Ties

Hardcover English 176 pages 24.13 × 29.21 × 2.29 cm 1361 g

Description

Tina Barney: Family Ties gathers sixty large-format portraits made across three pivotal decades of Barney’s career. Beginning with photographs from the late 1970s, the book follows her sustained attention to the private life of the New England upper class—a milieu she knew from within. Relatives and friends appear during intergenerational summer gatherings in East Coast houses, where domestic routines and social rituals become the framework for unusually exacting studies of behavior.

Barney’s pictures hold formality and contingency in productive tension. During the 1980s she began to direct her subjects, yet the resulting scenes retain the instability of lived encounters. Rooms, clothing, furnishings, glances, and small bodily adjustments share the burden of meaning. The large-format camera renders these details with clarity, while fleeting expressions and gestures interrupt the composure of the patrician tableau. Privilege is plainly visible, but it is not the book’s only subject: intimacy, hierarchy, self-presentation, and unease circulate within each group.

Published in 2024 by Aperture and Atelier EXB, this 176-page volume accompanied Barney’s first retrospective exhibition in Europe, held at the Jeu de Paume in Paris. Its historical scope is reinforced by an essay from exhibition commissioner and director Quentin Bajac, an interview with Barney by Aperture executive director Sarah Meister, and a text by artist James Welling. Together, these contributions address her use of large-format photography, her recurring study of family ritual, and her thinking about composition, color, and the relationship between photography and painting.

For a serious photobook collection, Family Ties merits attention as a concentrated survey rather than a simple anthology of portraits. Its selection connects the photographer’s social position, evolving working method, and formal vocabulary across time. The accompanying texts provide a critical structure for reading images whose polished surfaces are repeatedly unsettled by minute human disclosures.