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Above Zero turns from Greenland’s inhabited margins toward the island’s vast interior ice. Following Olaf Otto Becker’s earlier coastal study Broken Line, the book concentrates on meltwater, glacial crevasses, ice floes, and the immense surfaces of the ice sheet. The landscape appears not as an untouched abstraction, but as a changing physical system in which temperature, airborne matter, and human activity leave visible consequences.

Becker worked with a cumbersome large-format camera during demanding, at times dangerous treks across the ice. That method gives the photographs an unusual tension: their clarity and composure depend upon sustained bodily effort in unstable terrain. Expansive views establish scale, while close attention to dark deposits, fractured surfaces, and flowing water records processes that might otherwise remain imperceptible. Beauty is present, but it is neither consoling nor separated from evidence of environmental stress.

The sequence extends the conventions of landscape photography into documentary observation. Greenland’s interior—part of the world’s largest expanse of inland ice after Antarctica—is treated both as a monumental subject and as a site of accelerating change. The book links blackened deposits of dust and rust with warming and faster ice melt, making distant environmental processes concrete without reducing the landscape to illustration. A text by Konrad Steffen and an interview by Freddy Langer provide an additional discursive frame for Becker’s photographs.

Published by Hatje Cantz, the 176-page hardcover measures approximately 27.8 by 34.7 centimetres, a broad format well matched to Becker’s spatially exacting images. For a serious photobook collection, its significance lies in the sustained unity of subject, method, and scale: a carefully constructed study of Greenland at a particular moment of transformation. Above Zero rewards attention as both a landscape monograph and a record of how photographic beauty can coexist with precise environmental scrutiny.