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Robert Bergman: Selected Portraits

Collector Grade · C- Rarity · Common Deal · Weak Confidence · Low
Hardcover English 88 pages 32.39 × 25.4 × 1.27 cm 1066 g

Experimental Legacy Market Signal

Rarity 15.2/100 · Collector 0/100 · Deal 29.86/100 · Listings: 3 · Avg price: $86.75 · Min price: $64.00

These scores use the legacy monthly asking-price aggregate. They do not use the new exact-edition, condition, completeness, and destination-shipping rules.

Description

Robert Bergman: Selected Portraits brings together a concentrated body of portraits concerned less with biography than with the encounter between photographer and subject. Made with a handheld 35 mm camera and available light, the photographs direct attention toward faces, expressions, and posture. Settings are deliberately subordinated, leaving each person to occupy the image with unusual immediacy.

That restraint gives Bergman’s method its force. Natural light and close observation replace elaborate staging, while the reduced role of surroundings prevents social context from becoming a ready-made explanation of character. The resulting portraits register connection without claiming complete knowledge. Each sitter remains distinctly present yet unresolved, holding the viewer in a sustained act of looking rather than offering a quickly legible type.

The series was published in connection with Bergman’s exhibition at P.S.1 Contemporary Art Center and frames its subjects as Americans at the turn of the millennium. This historical proposition is carried by individual faces rather than by spectacle or broad documentary survey. The volume also places the photographs in an institutional and critical context through an introduction credited to Phong Bui and Glenn Lowry and a text by David Levi Strauss.

Issued by P.S.1 Contemporary Art Center in 2009, the 88-page hardcover is a concise record of a rigorously defined portrait practice. Its importance for a serious photobook collection lies in that concentration: one technical vocabulary, one sustained ethical problem, and a carefully bounded historical moment. Rather than using portraiture to settle identity, Bergman asks how much a photograph can disclose while preserving the subject’s autonomy. The exhibition context and accompanying texts make the book especially useful for considering how portraiture moves between direct human encounter, artistic form, and the public space of the museum.