Photographer
Balthasar Burkhard
Balthasar Burkhard (1944–2010) was an influential Swiss photographer celebrated for his monumental black‑and‑white images and his pioneering role in establishing photography as a major contemporary art medium in Europe. Born in Bern, he trained under photographer Kurt Blum before opening his own studio in 1965. His early career was shaped by his close collaboration with curator Harald Szeemann at Kunsthalle Bern, where he documented groundbreaking exhibitions and developed a deep engagement with contemporary art practices.
Burkhard came to international prominence in 1969 with a series of large‑format photographs made in collaboration with artist Markus Raetz. Together they developed innovative techniques for printing photographs directly onto canvas at life scale, decades before such methods became standard in contemporary photography. His move to the United States in the mid‑1970s brought further recognition: between 1976 and 1978 he taught photography at the University of Illinois in Chicago, and exhibited widely in Chicago and New York.
After returning to Switzerland in the 1980s, Burkhard continued producing the large‑format monochrome works that would define his career — striking close‑ups of body parts, animals, plants, architecture, desert landscapes, and vast urban panoramas. His images are marked by depth of field, clarity, and a monumental presence that transforms everyday subjects into sculptural, almost metaphysical forms. A key figure of late‑20th‑century European photography, Burkhard’s work reflects influences ranging from Japanese aesthetics and Tanizaki’s writings on shadow to the materiality of Gustave Courbet’s painting.
Throughout his life, Burkhard exhibited internationally, including at major institutions across Switzerland, France, Germany, and the United States. His works are held in leading museum collections such as Fotomuseum Winterthur, Kunsthaus Zürich, and Fondation Cartier. He remained committed to the physical craft of printmaking, personally overseeing the production of his monumental prints. Burkhard died in Bern in 2010, leaving behind a body of work that profoundly shaped the vocabulary of modern photographic art.
Balthasar Burkhard (1944–2010) was a Swiss photographer known for his monumental, large-format photographs, often in black and white. His subjects ranged across the Swiss landscape, cityscapes, and the human body, and he favored making unique, oversized prints that emphasized the physical presence of the photographic object. Burkhard’s work, which engaged with issues of scale, tonal range, and the relationship between photography and painting, was exhibited widely in Europe and North America. His photographs are held in numerous institutional collections, including Swiss national museums and international art museums.
Selected Works & Key Projects
A source-backed introduction to individual photographs and significant bodies of work.
Selected photographs

1999 · Mexico City, Mexico
Mexico City
Mexico City is a 1999 gelatin silver print on baryta paper, measuring 169 × 125 cm, in the Collection DZ BANK at the Städel Museum. Photographed from a helicopter, it treats the city’s streets and traffic artery as an expansive, almost organic body; the museum compares its configuration to a winged creature. The photograph follows Burkhard’s earlier study of nature and animals, but directs that attentiveness toward the grid of a densely populated metropolis. It merits selection because it makes the aerial city view a carefully structured photographic image rather than a merely descriptive survey, joining landscape observation with urban scale.
Work source ↗
2003 · Bernina massif, Alps
Bernina 09
Bernina 09 is a 2003 black-and-white photograph measuring 125 × 250 cm. Its tightly focused horizontal view excludes the sky and places the clouds directly against the jagged rock of the Bernina massif. Collection Pictet emphasizes that the image privileges the mountain’s sculptural geology over a conventional celebration of altitude, using a full range of grey values to move beyond literal realism. It merits selection as a particularly clear single-image statement of Burkhard’s Alpine practice: a monumental format, an un-reframed negative, and a composition prepared so that light, rock, and cloud become a materially persuasive surface.
Work source ↗
2001 · Chlönthal area, Switzerland
Chlönthal
This 2001 Chlönthal photograph is a silver gelatin print on baryta paper measuring 261 × 126 cm. Its vertical format follows a fast mountain stream through a wooded ravine; a long exposure softens the falling water while luminous water and undergrowth are counterbalanced by a broad range of greys. Collection Pictet identifies the technical finish of the black-and-white print and the rendering of physical structure as characteristic of Burkhard’s work. It merits selection as a concentrated landscape image in which duration, tonal control, and close framing give a small watercourse the same sculptural monumentality he brought to cities, bodies, animals, and mountains.
Work source ↗1989
Aile
Aile is a 1989 black-and-white triptych, with each element measuring 206 × 102 cm, given by the artist to the Musée d’art et d’histoire de Genève that year. Its importance is demonstrated by its repeated publication and exhibition history: the museum lists it in the 1997 Burkhard retrospective Eloge de l’ombre, a 2000 bestiary exhibition, and later presentations in Switzerland, France, and Hong Kong. It merits selection not simply as an animal image but as an early monumental multi-panel work whose institutional history shows its continuing usefulness for exhibitions about Burkhard and the photographic treatment of animal form.
Work source ↗2001
La Robe de la fiancée
La Robe de la fiancée is a 2001 heliogravure on a steel-faced copper plate, 47 × 32.4 cm, in the Louvre’s Department of Graphic Arts, Chalcography. The Louvre identifies the subject as a raptor wing photographed in close-up. Shadow, light, and black-and-white lines transform the arrested wing into an abstraction. The work also demonstrates Burkhard’s early-1990s adoption of heliogravure, a process that allowed subtler whites, greys, and blacks and offered a more durable copper-plate support than a photographic print. It merits selection as a precise example of his enlargement of bodily detail into an autonomous subject through printmaking.
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1961–1964
Education
Training with Kurt Blum
Burkhard studied with the Bern photographer Kurt Blum. The training established his technical grounding in photography before he opened an independent studio.
Source: Istituto Svizzero Verified Sep 6, 2026
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1964
Award
Swiss Federal Grant for Applied Arts
For Auf der Alp, an independent study of rural Alpine life, Burkhard received the Swiss Federal Grant for Applied Arts. The award marks an early institutional recognition of work made immediately after his apprenticeship.
Source: Fotostiftung Schweiz Verified Sep 6, 2026
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1965
Career milestone
Opens an independent studio
Burkhard opened his own studio in 1965 and worked as a freelance photographer. This step began the professional practice that would encompass documentary, commissioned, and autonomous photographic work.
Source: Istituto Svizzero Verified Sep 6, 2026
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1968
Career milestone
Begins collaboration with Atelier 5
Burkhard began collaborating with the architects Atelier 5 and photographed their work for several years. The documented collaboration situates architectural photography as a sustained component of his early professional activity.
Source: Istituto Svizzero Verified Sep 6, 2026
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1969–1970
Series
First autonomous photo-canvases with Markus Raetz
Together with Markus Raetz, Burkhard developed his first autonomous works as large-format photographic canvases. Museum Folkwang identifies this move as his transition from documenting the art world to working as an artist in his own right.
Source: Museum Folkwang Verified Sep 6, 2026
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1972
Career milestone
Photographs documenta 5
Burkhard photographed documenta 5, the exhibition organized by Harald Szeemann in Kassel from 30 June to 8 October 1972. Getty’s digital collection preserves more than 2,700 of his negatives, prints, slides, and transparencies from the exhibition.
Source: Getty Research Institute Verified Sep 6, 2026
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1977
Exhibition
First solo exhibition in Chicago
Burkhard’s first solo exhibition was held at Zolla/Lieberman Gallery in Chicago. The exhibition is a documented early solo presentation in the United States.
Source: Istituto Svizzero Verified Sep 6, 2026
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1980
Career milestone
Returns to Switzerland
Burkhard returned to Switzerland in 1980. According to Collection Pictet, his photographs subsequently began to be exhibited and acquired by major galleries and museums in Switzerland and elsewhere in Europe.
Source: Collection Pictet Verified Sep 6, 2026
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1983–1984
Exhibition
Major exhibitions in Basel and Geneva
Burkhard’s work was presented at Kunsthalle Basel in 1983 and at the Musée Rath in Geneva in 1984. Museum Folkwang describes these exhibitions as legendary and notes that the body, treated as landscape or fragment, became highly significant in his work from this point.
Source: Museum Folkwang Verified Sep 6, 2026
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1997
Exhibition
Éloge de l’ombre retrospective
Éloge de l’ombre (In Praise of Shadows) was mounted at the Musée Rath in Geneva. Collection Pictet identifies it as the first retrospective devoted to Burkhard’s work.
Source: Collection Pictet Verified Sep 6, 2026
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2017–2018
Exhibition
Major posthumous retrospective
Museum Folkwang presented a retrospective from 20 October 2017 to 14 January 2018, followed by a parallel presentation at Fotomuseum Winterthur and Fotostiftung Schweiz from 10 February to 21 May 2018. The project assembled more than 150 works and work groups, surveying both Burkhard’s career and photography’s emergence as an art form in the second half of the twentieth century.
Source: Fotostiftung Schweiz Verified Sep 6, 2026
Balthasar Burkhard – Wikipedia (opens a new site)
Balthasar Burkhard was a Swiss photographer celebrated for his large-format black-and-white imagery. The Wikipedia entry covers his artistic evolution, key exhibitions, and his impact on contemporary photography. It details his training, collaborations, and the widespread availability of his works in international museums. This page is a foundational reference for understanding the artist's practice and legacy.
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