Natalie Christensen (b. 1979, United States) is an American photographer known for her minimalist urban landscapes that explore color, form, and psychological resonance. Based in New Mexico, she photographs everyday architectural spaces—such as parking lots, walls, and signage—transforming them into carefully composed images that emphasize geometry and subtle emotional tension.

Christensen’s background as a psychotherapist informs her approach to photography, where visual elements such as color blocking, shadow, and negative space are used to evoke introspection and mood. Her work draws connections to modernist abstraction while remaining grounded in real-world environments, creating images that are both formal and quietly narrative.

Her photobooks, including Concrete Love and Perfect Vacuum, have gained recognition within contemporary photobook circles for their refined sequencing and strong visual coherence. For collectors, Christensen’s work is notable for its distinctive color palette, disciplined composition, and its position within the ongoing dialogue between street photography and abstraction.