Photographer
Deana Lawson
Deana Lawson (b. 1979, United States) is an American photographer known for her powerful, staged portraits that explore identity, intimacy, and the Black experience. Her work combines documentary elements with carefully constructed compositions, often depicting individuals and families within domestic or symbolic environments.
Lawson’s photographs are characterized by their formal precision, direct gaze, and rich visual detail. She draws on traditions of portraiture, vernacular photography, and diasporic histories, creating images that are both highly personal and culturally resonant. Her subjects are often presented with a sense of dignity and presence, challenging historical representations of Black bodies.
Her photobooks and exhibitions have been widely recognized, and she received the Hugo Boss Prize in 2020. For collectors, Lawson’s work is significant for its conceptual depth, visual strength, and its central role in contemporary discussions around representation, identity, and photographic authorship.
Deana Lawson (born 1979) is an American photographer known for large-scale, color-saturated portraits that explore Black life, intimacy, spirituality, and identity. She earned a BFA from Pennsylvania State University and an MFA from the Rhode Island School of Design. Her work addresses domestic spaces, often using staged or composed scenes that blur documentary and fiction. Lawson gained international recognition with exhibitions at institutions such as the Whitney Museum and Guggenheim. Notable honors include the 2020 Hugo Boss Prize and a 2021 MacArthur Fellowship. She has also taught at Princeton University.
Selected Works & Key Projects
A source-backed introduction to individual photographs and significant bodies of work.
Key projects

Project · 2021
Centropy
Centropy was Lawson’s 2021 Hugo Boss Prize exhibition at the Solomon R. Guggenheim Museum and included a 20-minute film of the same title. Large-scale photographs—some incorporating holograms—were installed around a spectral torus. The Guggenheim explains that the installation drew on “centropy,” a thermodynamic concept associated with regeneration and harmonious order. It merits selection because it crystallized Lawson’s photographic concerns with light, domestic staging, Black-diasporic interconnection, and unseen or spiritual realms within an ambitious installation format, while marking her presentation as the 2020 Hugo Boss Prize recipient.
View source ↗Project · 2013
Mohawk Correctional Facility: Jasmine & Family
Mohawk Correctional Facility: Jasmine & Family is a series of approximately thirty Polaroids that Lawson borrowed and scanned from her cousin Jasmine. Made across the years in which Jasmine’s partner, and the father of her child, was incarcerated at the upstate New York facility, the pictures register a mother, father, and daughter making a family image over time within the prison’s photo setting. The series merits selection for extending Lawson’s interest in kinship and photographic collaboration into an institutional space, where the prescribed backdrop and camera surveillance make intimacy and constraint visible together.
View source ↗
Project · 2018
Deana Lawson: An Aperture Monograph
Published by Aperture in 2018, Deana Lawson: An Aperture Monograph brings together forty photographs, an essay by Zadie Smith, and an extended conversation with Arthur Jafa. Aperture describes the book as Lawson’s first photobook and frames its images as highly structured, theatrical scenes made with medium- and large-format cameras in the United States, the Caribbean, and Africa. As a project, the volume is significant because it provides a concentrated published account of a decade of her practice—domestic interiors, lush gardens, portraiture, ceremony, and ritual—rather than isolating one image from the larger photographic language.
View source ↗Selected photographs

2009
Thai
Thai is a 2009 inkjet print in MoMA’s Department of Photography, measuring 35 3/4 by 30 3/4 inches. MoMA identifies it as one of Lawson’s works in its collection and records its inclusion in New Photography 2011, the museum’s group exhibition devoted to contemporary photographic practice. This early museum-acquired work merits selection because it documents Lawson’s presence in that major MoMA photography exhibition and because the institution situates her practice in carefully negotiated settings, lighting, and pose that yield intimate depictions of Black bodies in public and private space.
Work source ↗
2010 · New Orleans, Louisiana, United States
Roxie and Raquel, New Orleans, Louisiana
Roxie and Raquel, New Orleans, Louisiana is a 2010 inkjet print in MoMA’s Department of Photography. It was presented in MoMA’s New Photography 2011, placing the work within the museum’s exhibition of six contemporary photographic practices. The picture merits selection as a recognizable early Lawson photograph because it makes the domestic setting central to a precisely arranged portrait: two young sitters pose back-to-back on a bed amid lamps, curtains, a telephone, and worn wall paint. In MoMA’s account of Lawson’s practice, such attention to setting, light, and pose produces intimate depictions of Black bodies across public and private space.
Work source ↗
2018
Nation
Nation is a 2018 work of two inkjet prints in MoMA’s photography collection. Lawson describes the pictured gold mouthpiece as a dental apparatus she painted gold, and identifies the inserted image at upper right as George Washington’s dentures; she connects it to the historical use of teeth from enslaved people. The image merits selection because it explicitly stages a collision between historical violence and the present: Lawson positions hip-hop adornment, Black skin, and a domestic group portrait against that archival reference. MoMA acquired the work through its Committee on Photography Fund and later included it in the collection display History in the Present Tense.
Work source ↗
2019 · Salvador, Bahia, Brazil
Daenare
Daenare is a portrait of a young Black woman made in Salvador, Brazil, during Lawson’s 2019 trip to Bahia in preparation for the thirty-fourth São Paulo Art Biennial. The sitter reclines nude across a worn pink-and-white staircase, amid tiled flooring, curtains, and a framed still-life print. The ICA Boston notes that her pose recalls the canonical female nude while Lawson’s large-format, staged pictures draw on family-album imagery and challenge portraiture’s historical terms of representation. This photograph merits selection because it makes that reworking especially direct: a domestic interior and a canonical art-historical pose are brought into a South Atlantic Black-diasporic context.
Work source ↗
2017 · Charleston, South Carolina, United States
Barbara and Mother
Barbara and Mother is a 2017 pigmented inkjet print in ICA Boston’s collection. Lawson met its mother-and-daughter subjects in a dollar store in Charleston, South Carolina. The ICA identifies the mother’s polished prosthetic limb, a Bible, box fan, stereo equipment, artificial flowers, and a tape-patched wall as details that offer partial autobiographical context, while the sitters’ matching hands-on-hips gestures make their relationship visible. The photograph merits selection because it exemplifies Lawson’s collaborative, staged domestic portraiture: closely observed possessions and pose resist a reductive documentary reading while affirming family connection, Black aesthetics, and the subjects’ command of their space.
Work source ↗-
2001
Education
Received BFA from Rochester Institute of Technology
Lawson completed her Bachelor of Fine Arts degree, focusing on photography, which provided foundational technical training and early exposure to contemporary image-making practices at the Rochester Institute of Technology.
Source: Wikipedia Verified Sep 4, 2026
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2004
Education
Earned MFA from Yale University
Lawson obtained her Master of Fine Arts from Yale's School of Art, a formative period where she developed her distinctive approach to staged portraiture and began exploring themes of domesticity, spirituality, and Black life within intimate spaces.
Source: Wikipedia Verified Sep 4, 2026
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2017
Exhibition
Participated in the 2017 Whitney Biennial
Lawson's large-scale portraits were featured in the 2017 Whitney Biennial, a major survey of contemporary American art. This exposure significantly raised her national visibility and placed her photographic practice within broader contemporary dialogues on representation and history.
Source: Wikipedia Verified Sep 4, 2026
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2020
Award
Awarded MacArthur Fellowship
Lawson received a MacArthur Foundation 'genius grant' in recognition of her singular ability to create intimate yet monumental images that explore kinship, cosmology, and the poetics of Black life. The fellowship acknowledged her impactful contributions to contemporary photography.
Source: MacArthur Foundation Verified Sep 4, 2026
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2020
Award
Won the 2020 Hugo Boss Prize
Lawson was selected as the recipient of the biennial Hugo Boss Prize, which honors exceptional achievement in contemporary art. The prize included a solo exhibition at the Guggenheim Museum, signaling institutional validation of her pioneering photographic vision.
Source: Guggenheim Museum Verified Sep 4, 2026
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2021
Exhibition
Solo exhibition at the Solomon R. Guggenheim Museum
Curated by Ashley James, this major solo presentation showcased more than a decade of Lawson's photography, integrating large-scale portraits and tableau images. The exhibition cemented her status among the most influential contemporary artists exploring Black life and representation.
Source: Guggenheim Museum Verified Sep 4, 2026
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2021
Photobook
Publication of monograph 'Deana Lawson' by Aperture
Aperture published the first major monograph of Lawson’s work, collecting key images from 2006 to 2021. The book chronicles her development in staged portraiture and intimate scenes, offering audiences a comprehensive view of her photographic interventions in domestic and spiritual settings.
Source: Aperture Foundation Verified Sep 4, 2026
Representation
Sikkema Jenkins & Co.
The New York-based gallery lists Deana Lawson as a represented artist, serving as a primary commercial venue for her large-format portrait photography and supporting institutional presentations of her work.
Verified 2026-09-04Sikkema Jenkins & Co. artist page
Publishing relationship
Aperture Foundation
Aperture published Lawson's major 2018 monograph, titled 'Deana Lawson', helping bring her photographs to a broader readership and situating her work within contemporary photography publishing.
Verified 2026-09-04Aperture book page
Foundation
Solomon R. Guggenheim Foundation
In 2020 Lawson received the Hugo Boss Prize, which was administered by the Guggenheim Foundation; the associated prize presentation helped confirm her international standing in contemporary art.
Verified 2026-09-04Guggenheim prize announcement
Collection
Museum of Modern Art, New York
Lawson's work is included in the collection of the Museum of Modern Art, New York, where her intimate, staged portraits participate in the museum's survey of contemporary photography.
Verified 2026-09-04Wikipedia biography, Deana Lawson
Deana Lawson – Wikipedia (opens a new site)
Comprehensive overview of American photographer Deana Lawson (b.1979), detailing her upbringing, education, major series, and recognition, including the 2020 Hugo Boss Prize. The article contextualizes her practice within contemporary portraiture and the photography of the African diaspora.

Nick Waplington
Shared publisher: Aperture, MACK
18 photobook(s) in the library

Stephen Shore
Shared publisher: Aperture, MACK
14 photobook(s) in the library

Jason Fulford
Shared publisher: Aperture, MACK
13 photobook(s) in the library

Alec Soth
Shared publisher: Aperture, MACK
13 photobook(s) in the library
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