Builder Levy (born 1942 in Tampa, Florida) is an American photographer whose work bridges social documentary, fine‑art photography, and street photography. For more than fifty years, Levy has photographed the American experience with an intense humanistic focus, documenting civil rights struggles, inner‑city life, political demonstrations, and the labor histories of Appalachia. His images reflect a lifelong commitment to social justice and a belief that photography can illuminate conditions of inequality while celebrating human resilience and dignity.

Raised in New York, Levy studied painting with Ad Reinhardt and photography with Walter Rosenblum at Brooklyn College, later earning a master’s degree in art education at New York University. Influenced by the Photo League tradition and by photographers such as Roy DeCarava, Lewis Hine, Henri Cartier‑Bresson, and Helen Levitt, he cultivated a visual language grounded in realism, empathy, and strong formal composition. As a public school teacher working with at‑risk youth for over three decades, Levy spent summers photographing coalfield communities in Appalachia, producing one of the most significant visual records of miners and their families in the late twentieth century.

Levy’s work has been exhibited in more than 300 exhibitions, including over 60 solo shows, and is held in numerous museum collections such as the Metropolitan Museum of Art, the Brooklyn Museum, the High Museum of Art, the International Center of Photography, the Victoria and Albert Museum, and the Smithsonian National Museum of African American History and Culture. He has received major fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Alicia Patterson Foundation. His published books include *Images of Appalachian Coalfields* (1989), *Builder Levy: Photographer* (2005), *Appalachia USA* (2014), and *Humanity in the Streets: New York City 1960s–1980s* (2018).