Photographer
Bieke Depoorter
Bieke Depoorter (born 1986 in Belgium) is a Belgian photographer known for her intimate, trust-driven approach to documentary practice. She received a master’s degree in photography from the Royal Academy of Fine Arts in Ghent in 2009. At just twenty-five, she became a nominee of Magnum Photos, later becoming a full member in 2016—one of the youngest photographers to achieve this distinction.
Depoorter’s work centers on relationships forged through chance encounters. Her projects arise from the organic development of these interactions, emphasizing the porous boundary between photographer and subject. Many of her works, including “Ou Menya,” “I Am About to Call It a Day,” and “As It May Be,” explore intimate domestic spaces and individual lives encountered through travel. Her first major project, “Ou Menya,” created during trips through Russia, won the 2009 Magnum Expression Award.
In recent years, Depoorter has focused increasingly on challenging the conventions of photography, questioning authorship, power, and the ethics of representation. In “As It May Be,” she returned to Egypt with a draft of her book and invited locals to write directly onto the photographs, engaging in open dialogue about cultural difference and misinterpretation. “Agata,” created in intense collaboration with a Polish woman she met in Paris, further expands her interest in co-authored narratives and the fluidity between reality and fiction.
Depoorter has published multiple acclaimed photobooks, including Ou Menya, I Am About to Call It a Day, As It May Be, Sète#15, Agata, and Blinked Myself Awake. In 2020, she co-founded Des Palais, an independent publishing platform. Her work has earned numerous awards, including the Magnum Expression Award, the Larry Sultan Photography Award, the Prix Levallois, and a nomination for the Deutsche Börse Photography Prize. Depoorter continues to exhibit globally, engaging audiences with her evolving exploration of collaboration, vulnerability, and the photographic medium itself.
Bieke Depoorter (born 1986, Kortrijk, Belgium) is a Belgian photographer and Magnum Photos member. She studied photography at the Royal Academy of Fine Arts in Ghent. Her first acclaimed book, ‘Ou Men Slept’ (2011), documented strangers she encountered at night in the United States, staying in their homes. Subsequent projects include ‘I Am About to Call It a Day’ (2014), made in Russia, and ‘As It May Be’ (2017), made in Egypt with co-author Stéphane Poussier. Her work has been exhibited internationally, and she received a World Press Photo award in 2010 for work featured in ‘Ou Men Slept’. Wikipedia documents her education, trajectory, and key publications.
Selected Works & Key Projects
A source-backed introduction to individual photographs and significant bodies of work.
Key projects
Project
Ou Menya
Ou Menya is a long-term photographic series made in Egypt around the time of the Arab Spring. Depoorter befriended local women and was invited into their homes, creating intimate portraits of domestic life that depart from conventional conflict-oriented photojournalism. The work critically engages with issues of trust, representation, and the ethics of photographing strangers. Published as a book in 2013, it established Depoorter's signature method of embedding herself within vulnerable communities, making it a foundational project in her career.
View source ↗Project
Sète
Sète is a collaborative project with writer and musician Alexandre Pierrepont, focusing on the Mediterranean port city of Sète in southern France. Depoorter used a view camera and engaged with local residents, exploring themes of community, memory, and transformation. The series demonstrates her ability to expand from intimate interior photography to a broader social landscape. It was exhibited and published by Poursuite Éditions in 2019, and highlights her ongoing interest in place and belonging.
View source ↗-
2005–2009
Education
Study at Royal Academy of Fine Arts (KASK), Ghent
Bieke Depoorter studied photography at the School of Arts (KASK) in Ghent, where she developed a foundation in documentary practice and an interest in intimate, observational storytelling. Her training emphasized close engagement with subjects and the use of photography as a means of exploring human vulnerability. This period shaped the immersive, collaborative methodology that would later define her major series and books.
Source: Wikipedia Verified Sep 4, 2026
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2012
Representation
Joins Magnum Photos as a Nominee
In 2012, Bieke Depoorter was invited to become a nominee of Magnum Photos, one of the most prestigious documentary photography cooperatives. This recognition highlighted her emerging reputation as a bold, intimate chronicler of private lives. The nomination afforded her broader access to international projects and grant opportunities, marking a turning point in her career from emerging artist to established photojournalist.
Source: Magnum Photos Verified Sep 4, 2026
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2012
Photobook
Publication of debut book “Ou Menya”
“Ou Menya” (meaning “With Me” in Russian) is Depoorter’s first photobook, published in 2012. The project grew from a series of photographs she made of a family she encountered during her travels in Russia. The work stands out for its prolonged intimacy—Depoorter lived with the family and documented their daily struggles and joys. The book received critical praise for its raw, emotional depiction of human relationships and became a landmark in her oeuvre.
Source: Wikipedia Verified Sep 4, 2026
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2014
Representation
Promoted to Associate Member of Magnum
Two years after joining as a nominee, Depoorter was promoted to associate member of Magnum Photos, consolidating her standing within the cooperative. This elevation came alongside increasing international recognition, including exhibitions and editorial commissions. The status allowed her to participate in collective projects and shaped her transition toward more experimental, long-term visual narratives.
Source: Magnum Photos Verified Sep 4, 2026
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2016
Representation
Becomes a Full Member of Magnum Photos
In 2016, Bieke Depoorter became a full member of Magnum Photos, one of the youngest Belgian photographers to achieve this distinction. This milestone reflected her prolific output and influence, signifying trust from peers and institutional validation. As a full member, she gained a permanent platform for publishing and exhibiting work, and she has since contributed to era-defining collaborative projects within the cooperative.
Source: Magnum Photos Verified Sep 4, 2026
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2018
Photobook
Publication of “As It May Be”
“As It May Be” is a collaborative photobook published in 2018, exploring the boundaries between photographer and subject. Depoorter asked people she encountered to photograph her in return, creating a dialogue that challenges power dynamics inherent in documentary practice. The book was shortlisted for several international awards and has been praised for its innovative methodology and emotional depth, expanding the possibilities of photographic storytelling.
Source: Wikipedia Verified Sep 4, 2026
Representation
Magnum Photos
Bieke Depoorter is represented by Magnum Photos, an international photographic cooperative. She was nominated as a member in 2012 and became a full member in 2016, signifying formal representation and affiliation with the agency that supports documentary photography.
Verified 2026-09-04Wikipedia – Bieke Depoorter
You, Me and Everyone we Know: Ian Berry and Bieke Depoorter discuss conflict (opens a new site)
In this WePresent conversation, Diane Smyth brings Depoorter together with Magnum photographer Ian Berry to compare ways of photographing social and political change. Depoorter discusses working in Egypt beyond protest imagery, seeking access to private homes and considering how her presence affects the photographs. The article also addresses the development of As It May Be, including her decision to invite Egyptians to annotate a book dummy. It is particularly useful for her stated thinking on authorship, proximity, and photographic interpretation.
Looking Up (opens a new site)
This Atlantic photographic essay introduces Blinked Myself Awake through Depoorter’s encounter with Henk, an amateur astronomer in Ghent. It describes the book as combining memoir with photographs and reflections on astronomy, stargazing, photography, and objectivity. The accompanying text locates the work’s focus in people who look skyward, rather than in astronomical subjects alone, and relates the project to memory, observation, and wonder. It is a concise source for the concerns of this later body of work.
After the Revolution: Interior Lives in Egypt (opens a new site)
TIME’s feature by Andrew Katz examines Depoorter’s Egyptian work through the homes in which she stayed after being invited by people she met in Cairo and elsewhere. It describes her repeated trips from late 2011, the practical risks and suspicions she encountered as a foreign photographer, and her attention to domestic interaction rather than public spectacle. The article is a useful contemporaneous account of the approach behind the work later associated with As It May Be.
In Conversation | with Bieke Depoorter | @magnum-photos (opens a new site)
Wex Photo Video’s recorded interview presents Depoorter discussing her projects and artistic development. Its description identifies the conversation’s emphasis on the relationships she forms with subjects, as well as the narrative and ethical questions raised by her practice. It also situates the discussion in relation to her path from Magnum nominee to full member. This is a useful accessible interview resource focused on process rather than a single series.
Bieke Depoorter: Chance Encounters – Main Trailer (opens a new site)
Magnum Photos’ trailer introduces Depoorter’s on-demand course Chance Encounters. It presents accidental meetings as a central condition of her practice and identifies the course’s focus on building trust with people photographed over short and extended periods. The source also states that the course addresses editing and sequencing images, photobook making, and exhibition organization. As a primary agency resource, it offers a compact introduction to how Depoorter frames her own working methods.

Erwin Olaf
Shared publisher: Aperture, Hannibal Books
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Shared publisher: Hannibal Books, Lannoo Publishers
3 photobook(s) in the library

William Eggleston
Shared publisher: Aperture
26 photobook(s) in the library

Martin Parr
Shared publisher: Aperture
21 photobook(s) in the library
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