Todd Hido is an American photographer, born on 25 August 1968, whose career is documented in the available search record as one of sustained production and institutional recognition. The source material identifies him as the author of seventeen books and notes that his photographs have been exhibited widely and placed in various public collections. He currently serves as an adjunct professor at the California College of the Arts in San Francisco, a role that places him in contact with emerging practitioners while maintaining an active creative practice.

Because the search evidence is limited to a brief encyclopedic summary, specific titles, series, and exhibitions cannot be verified from the provided material. Nevertheless, the number of published books itself indicates a practice structured around long-form photographic projects rather than isolated images. Photobooks often function for photographers as an alternative exhibition space, allowing sequences and page design to shape meaning in ways that a single wall print cannot. Hido’s place among photographers who have produced seventeen monographs signals a career built on sustained editorial and publishing collaborations, though the details of those collaborations are not present in the source.

The snippet’s mention of public collections affords a limited but meaningful indicator of reception. Inclusion in public collections generally requires curatorial review and suggests that the work circulates outside commercial galleries. The phrase ‘exhibited widely’ further implies national or international display, but no named museums, galleries, or curators are provided, so the scale and chronology of that exposure cannot be assessed.

Hido’s academic appointment at California College of the Arts in San Francisco offers a geographic anchor. The San Francisco Bay Area has historically supported a strong documentary and fine-art photographic culture, and teaching roles at art schools often bring photographers into dialogue with changing technical and conceptual currents. Even so, the available record does not describe his pedagogy, his students, or the relationship between teaching and his own imagery.

For photobook collectors, the central caution is that the search result confirms productivity but does not itemize individual volumes, publishers, designers, or editions. Collectors should not treat the number seventeen as a guarantee that any particular title is available, influential, or appropriate to a collection. Instead, the confirmed facts suggest that a serious engagement with Hido’s work would require examining the books themselves, ideally through trusted sellers, libraries, or museum catalogues, to evaluate sequencing, printing quality, and conceptual cohesion. Such first-hand assessment would reveal what the brief encyclopedic entry cannot: whether the object form of these publications extends the photographs into a larger artistic argument.

In sum, the available evidence establishes Todd Hido as an American photographer born in 1968, a prolific maker of photobooks, and an educator in San Francisco. The absence of verified titles and exhibition details should be read as a limitation of the source summary rather than as a complete description of his practice. The profile may be updated when fuller sources become available.

〔PBL-BIO/2〕

Todd Hido (born 1968 in Kent, Ohio) is an American contemporary photographer. He earned a BFA from Tufts University and the School of the Museum of Fine Arts, Boston (1991), and an MFA from the California College of the Arts (1996). He is recognized for large-scale color photographs of suburban houses, motels, and portraits, often shot at night using available light and analog processes. His work has been displayed in solo and group exhibitions worldwide and is held in numerous public collections. Hido has published several monographs and lives in San Francisco.