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New Documents, 1967 presents a critical moment in American photography through the works of Diane Arbus, Lee Friedlander, and Garry Winogrand. The images explore the nuances of everyday life and the complexities of identity, captured in candid, often confrontational frames that challenge traditional documentary modes.

The book carefully assembles 168 pages of photographs that reveal each artist’s unique visual strategy—Arbus’s intense focus on marginalized subjects, Friedlander’s fragmented compositions, and Winogrand’s spontaneous street scenes. Together, they reflect a shift toward a more personal, subjective engagement with the photographic medium.

Published by The Museum of Modern Art in 2017, the volume offers a concise yet profound overview of these influential photographers’ contributions to the redefinition of documentary photography in the late 1960s.