Michael Kenna: Constellation gathers 122 black-and-white photographs made across 43 countries between 1973 and 2024. Drawn from an oeuvre of some 3,700 images, the selection represents every active year of Kenna’s five-decade career and each country in which he photographed. Its premise is therefore both retrospective and deliberately selective: not a comprehensive catalogue, but a sustained view of how one photographer has returned to landscape, atmosphere, and human intervention over time.

Kenna is known for extended exposures—sometimes lasting as long as ten hours—made through night and day. These durations register conditions that ordinary seeing can miss: light accumulating over water, weather softening a horizon, or an industrial structure holding its ground within an otherwise spare landscape. The monochrome photographs reduce descriptive clutter while preserving tonal and spatial ambiguity. Natural environments and constructed forms are not treated as opposites so much as presences sharing the same field, each altered by duration, distance, and changing light.

The title provides a useful model for the book’s organization. A constellation is assembled through relationships drawn between separate points; similarly, these photographs invite connections across decades and geographies rather than imposing a single narrative. The dispersed lettering on the cover reinforces that structure, while the 176-page sequence offers room for comparison among recurring motifs, shifts in atmosphere, and the persistence of Kenna’s restrained visual language.

For a serious photobook collection, the book’s importance lies in the breadth and clarity of this career overview. Its 50-year span makes it possible to consider continuity without mistaking repetition for sameness, and to examine how a consistent method responds to widely different places. Published by Skira, Constellation serves as a substantial reference to Kenna’s practice and to the long-form possibilities of black-and-white landscape photography.