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One Picture Book #98: Taste for Russian Ballet

One Picture Book #98: Taste for Russian Ballet

Hardcover 16 pages

Description

Nazraeli Press issued Taste for Russian Ballet as the ninety-eighth entry in its One Picture Book series, credited to a single photographer, Gregori Maiofis. Sixteen hardcover pages hold a tight sequence of duotone plates depicting a long-limbed ballerina and a burly circus bear. The bear sits in a chair, at times in profile, at others with its back to the viewer, apparently directing the dancer, who responds with professional composure. The pairing invites spectacle, but the restrained tonal scale keeps attention on posture, gesture, and the odd civility of the scene.

Maiofis was born in St. Petersburg in 1970 and trained in the traditional academic manner before spending five years in Los Angeles, where he encountered a broader range of art forms. He later returned to his native city, saying that there he could accomplish artistic things he could not do elsewhere. The bear-and-ballerina series arose from that decision; per the publisher, the animal was smuggled into an empty apartment building for the shoot. The book builds toward a closing image in which the bear lifts a paw to echo the dancer’s raised arm, an understated joke that depends on a single gesture held long enough to land.

The project’s tone is its distinguishing feature. The interior stays ordinary while the situation does not, and the camera records the encounter without explaining or apologizing for it. That refusal to resolve the incongruity is what gives the pictures their pull. Within Maiofis’s wider body of work, the volume offers a concentrated encounter with the series, made during a period when he chose to work in St. Petersburg rather than abroad.

Collector interest rests on the object itself. The book includes one signed original photograph by Maiofis, moving the sequence from reproduction into a physical, autographed artifact. The hardcover format and brief page count indicate a closely edited presentation with no room for slack: a self-contained project by a photographer with a distinct transnational formation, issued as a coordinated whole.

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