Le Tour du monde en 14 jours is a conceptual travelogue by Raymond Depardon, documenting a rapid-fire journey through seven global cities in 1999. Abandoning the slow immersion of his earlier work, Depardon spent only a few days in locations like Addis Ababa, Dubai, Hong Kong, and Tokyo, capturing the disjointed and solitary experience of the modern global traveler. The photographs, often taken from taxi windows or hotel rooms, evoke a sense of “urban wandering” (errance) and detachment. The book serves as a visual meditation on the standardized nature of international airports, hotels, and cityscapes that form the transient world of the 21st-century nomad.