Photographic study of Eastern European memorial architecture, focusing on the monumental forms and stark visual presence of brutalist war monuments known as Spomeniks. The images isolate these concrete structures against often minimal or empty backgrounds, emphasizing their sculptural qualities and abstract silhouettes.

The book explores themes of memory, monumentality, and the dramatic interplay between architecture and landscape. By framing these memorials in a consistent, documentary style, it invites reflection on the cultural and historical contexts of Yugoslavia’s socialist past.