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William Eggleston: The Last Dyes is a historic monograph that catalogues the final major group of photographs to ever be produced using the legendary dye-transfer printing method. Since pioneering the use of this complex analog process for art photography in the 1970s, Eggleston has been synonymous with its unmatched tonal depth and hyper-vivid color saturation. Because the necessary Kodak materials (dyes, paper, and film) were discontinued in the early 1990s, this body of work represents a “bittersweet” conclusion to a medium that defined the father of color photography. The volume features 62 reproductions of previously unseen images from the early 1970s, where everyday objects—from handguns to mansion interiors—are isolated and transformed through Eggleston’s “democratic” lens into vibrant, existential icons. This publication is an essential artifact for understanding the intersection of technical mastery and poetic observation in 20th-century art.