The photographic approach in Dies Irae likely explores themes of mortality, judgment, and finality, suggested by its title which translates to ‘Day of Wrath.’ The images may engage with intense, somber moods or ritualistic elements that invoke contemplation on human existence and fate.

With a substantial 208 pages, the 2011 publication by Benedictus presents a focused body of work that potentially combines visual narratives with thematic depth. The book’s design and sequencing could reinforce the gravity implied by its title, inviting sustained reflection.