Exploring themes of division and perspective, The Wrong Side adopts a visual approach that challenges viewers to reconsider boundaries and oppositions. The photographs invite reflection on what lies beyond conventional viewpoints, revealing nuanced realities on the margins.

Through a series of carefully composed images spanning 176 pages, the work investigates the concept of ‘wrong’ in spatial and social contexts. The imagery encourages contemplation of exclusion and inclusion, presenting scenes that evoke tension and ambiguity.