The photographic strategy in Quand on s’ennuyait centers on capturing moments marked by stillness and quiet introspection. The images evoke a mood of ennui, reflecting on periods when time seems to stand still and everyday life unfolds with a contemplative pace. There is an implicit dialogue between presence and absence, using composition and subject framing to suggest a latent emotional depth beneath surface calm.

Over the course of 32 pages, the work examines themes of boredom and waiting, exploring how these states manifest visually in environments and human behavior. The photographs invite the viewer into a subtle meditation on the spaces and moments where engagement with the external world diminishes, revealing inner solitude. This restraint defines the visual approach, emphasizing nuance rather than overt narrative.