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Atlantic Wall
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Atlantic Wall

Hardcover English 200 pages 29.21 × 20.32 × 3.18 cm 1388 g

Description

Stephan Vanfleteren’s Atlantic Wall follows the remains of the vast coastal defence system ordered by Adolf Hitler during the Second World War. Extending for more than 2,600 kilometres, from the French–Spanish border to northern Norway, the network comprised bunkers, barricades and coastal batteries. Vanfleteren photographed its surviving structures across Belgium, the Netherlands, Germany, France, Denmark and Norway, treating the fortifications not as isolated monuments but as fragments of a single geopolitical project imposed upon the European shoreline.

Working in black and white and repeatedly setting up a tripod in difficult coastal terrain, Vanfleteren gives these concrete forms a severe, measured presence. His route took him onto beaches and cliff faces, into Danish surf and among Norwegian fjords. Such physical range matters to the project: the photographs register how one military idea was adapted to radically different topographies, while the disciplined monochrome approach holds the dispersed sites together as a coherent series.

The book’s central tension lies between engineered permanence and environmental change. Structures conceived as barriers now appear exposed to weather, erosion and encroaching vegetation. Vanfleteren attends to their blunt architectural force without separating that force from the history of occupation and war that produced it. Nature’s gradual reclamation does not erase the past; it makes the passage of time legible on concrete, sand and rock.

Published by Hannibal in 2014, this 200-page hardcover gives sustained form to a geographically ambitious photographic survey. For collectors concerned with postwar landscape, military architecture or the photographic afterlife of European history, its significance rests in the conjunction of subject and method: a continuous coastal system is reconsidered through carefully controlled images of its scattered ruins. Atlantic Wall is therefore both an architectural study and an inquiry into how political power persists materially after its intended function has disappeared.