Exploring abstraction and texture through experimental photochemical processes, Daisuke Yokota’s work engages with the sensory and tactile qualities of the photographic medium. The images embody a fragmented visual language that challenges conventional representation, creating an impressionistic experience of perception and memory.

Vertigo condenses this approach into a compact 96-page volume published by Newfave in 2014, where the physicality of the prints and the unpredictable effects of analog techniques serve as both subject and method. The book offers a concentrated examination of form and surface rather than narrative or documentary content.