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Walker Evans: The Hungry Eye

Collector Grade · C- Rarity · Common Deal · Weak Confidence · Low
Hardcover English 368 pages 31.75 × 24.77 × 3.18 cm 2445 g

Experimental Legacy Market Signal

Rarity 8.8/100 · Collector 0/100 · Deal 49.27/100 · Listings: 7 · Avg price: $79.25 · Min price: $48.53

These scores use the legacy monthly asking-price aggregate. They do not use the new exact-edition, condition, completeness, and destination-shipping rules.

Description

Published by Harry N. Abrams in 1993, *Walker Evans: The Hungry Eye* sets out to encompass the full reach of Evans’s photographic work. Its 368 pages contain more than 300 reproductions, placing a substantial body of images within a single retrospective account of a photographer whose career became inseparable from the representation of twentieth-century America.

The book’s subject is not merely Evans himself, but the American life recorded through his camera. Across the survey, photography functions simultaneously as artistic practice, historical document, and sustained observation of a society. The volume was presented as the first retrospective in print to address every major aspect of his work, giving its breadth particular importance within the literature devoted to Evans.

A distinctive element is the inclusion of comparatively little-known color photographs alongside the larger survey. Their presence complicates an understanding of Evans based solely on his more familiar work and allows the reader to consider a wider range of his photographic production. With Gilles Mora credited as a contributor, the publication frames this material in a form intended to be read as a comprehensive career study rather than as a narrowly defined project or isolated portfolio.

For a collector, the book merits attention because of the scale and historical purpose of that undertaking. The combination of an extensive image selection, less familiar color material, and a broad view of mid-twentieth-century American life makes it useful both as an Evans monograph and as a reference point for the period he photographed. Its significance lies in the sustained scope of the editorial project: a substantial attempt to gather the many dimensions of Evans’s work into one volume.