The photographic strategy in The Perfect Man centers on constructed and staged portraits that explore identity and cultural ideals through a deliberate visual narrative. Cristina de Middel employs a conceptual approach that interrogates the notion of perfection and the human desire for acceptance amid societal expectations.

The mood throughout the 176-page volume is measured and reflective, drawing attention to individual subjects while framing broader questions about authenticity, gender, and representation. The book is a collaboration between La Fabrica and Images Vevey, published in 2018, which situates the work within contemporary photographic discourse on identity and performativity.