The photobook Ceci n’est Pas Une Fleur explores the complex relationship between representation and reality through carefully composed images that question the nature of perception. The work draws on a visual paradox, prompting viewers to reconsider preconceived notions of beauty and meaning in floral imagery.

Spanning 112 pages, the book presents a series of photographs that challenge traditional floral portraits by emphasizing subtle abstraction and symbolic elements. The title itself references a famous art historical phrase, suggesting a deliberate interrogation of the boundary between object and image.