Lee Friedlander, a titan of 20th-century street photography, presents a radical new body of work focused on the still life. In “Life Still,” Friedlander applies his signature layered, complex, and often humorous visual language to found arrangements of inanimate objects. From tangled houseplants and cluttered office desks to reflections in storefront windows, Friedlander reveals the “social landscape” hidden within everyday clutter. The book challenges the traditional boundaries of the still-life genre, replacing serene compositions with the chaotic, energetic framing that has defined Friedlander’s career for six decades.