Published in 2012 by Antonin Artaud, *Positions: Photographs by Antoine D’Agata* presents a French-language book devoted to the work of Antoine D’Agata. Even the title’s emphasis on “positions” suggests a concern with where—and how—photography takes its place: in relation to bodies, circumstances, and the photographer’s own standpoint. The available record identifies the volume as a paperback, but gives no further account of its sequence or subject matter; its significance therefore rests first on the direct encounter it offers with D’Agata’s photographic authorship.

D’Agata’s practice is associated here not through an explanatory essay or declared theme, but through a book whose title places the photographs themselves at the center. That economy is important. Rather than treating the volume as a broad survey or a conventional monograph with an announced argument, *Positions* can be approached as a concentrated statement in book form—one in which the ordering and accumulation of images are likely to matter as much as any individual frame. The French-language context and the imprint of Antonin Artaud further locate it within a specific publishing setting, rather than presenting the work as a neutral international catalogue.

For a serious collector, the book deserves attention as a documented 2012 publication that brings D’Agata’s name, photographic work, and a distinct editorial title together in a compact paperback object. Its value as a collection piece is best understood through that relationship between photographer and publication: not an edition claimed to be rare or limited, but a materially identified book whose language, publisher, and format form part of its historical record. It offers a focused entry into D’Agata’s work and into the ways a photographic practice can be framed by its title and printed form.