Paul McCartney – 1964: Eyes of the Storm review
Paul McCartney’s book "1964: Eyes of the Storm" is a detailed exploration of the Beatles' pivotal year during their rise to international fame. Featuring nearly a thousand photographs taken by McCartney and others from late 1963 to early 1964, the collection highlights their tours from Liverpool to the United States, including their iconic Ed Sullivan Show performance. The book includes insightful commentary from McCartney on photography and personal memories, alongside a contextual essay by Jill Lepore that situates their fame within cultural history. This photobook offers a candid insider’s view of the Beatles’ journey through Beatlemania, capturing both intimate and historic moments.
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See Paul McCartney's Intimate Photos of the Beatles In New Book '1964: Eyes of the Storm'
Paul McCartney’s new book, "1964: Eyes of the Storm," showcases his personal photography capturing The Beatles during their explosive rise to fame from late 1963 through early 1964. The book features 275 largely unseen photos taken with McCartney’s 35mm camera across cities including Liverpool, London, Paris, New York, Washington, D.C., and Miami. Along with intimate images, McCartney provides reflections on the period he calls the "Eyes of the Storm," offering fans a unique insider’s perspective on Beatlemania. The book also includes an essay by historian Jill Lepore and is available in hardcover and Kindle editions.
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Paul McCartney announces new photography book, '1964: Eyes Of The Storm'
Paul McCartney has announced a new photography book titled '1964: Eyes Of The Storm,' featuring 275 previously unseen photos taken by McCartney himself during the height of Beatlemania. The images capture the Beatles' rise to global fame in late 1963 and early 1964, including portraits of John Lennon, George Harrison, and Ringo Starr. The photographs were taken across six cities: Liverpool, London, Paris, New York, Washington, D.C., and Miami. The book also includes essays by notable historians and curators and is set for release on June 13 through Penguin.
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Paul McCartney: Photographs 1963-64 review – watching the world change, almost overnight
The exhibition "Eyes of the Storm" at London's National Portrait Gallery showcases Paul McCartney's photographs taken between December 1963 and February 1964, a transformative period when The Beatles rose from local fame to global stardom. Featuring 250 backstage and off-duty images, the collection captures moments from their UK tour, performances in Paris's Olympia music hall, and their breakthrough in the US with appearances on the Ed Sullivan Show. McCartney's candid shots offer an intimate glimpse into the early days of Beatlemania and the cultural shift they inspired.
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Andrea Modica
Andrea Modica is recognized as a prominent photographer of her generation, known for her long-term projects that often span many years and deeply explore personal and cultural themes. Her recent exhibition "Extended Moments" and the book "As We Wait," edited by Larry Fink, highlight her continued dedication to black-and-white large-format photography and platinum printing. Modica discusses the emotional and intuitive process behind her work, the role of trauma in concluding projects, and the significance of working with traditional photographic methods. She also reflects on her artistic connection to Italy and how it influences her creative expression.
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Special interview with Larry Fink talking about Lisette Model
This special interview features American photographer Larry Fink discussing Lisette Model, a significant influence on his photographic style. In 1958, Fink took private courses with Model, which sparked a deep friendship and profoundly shaped his approach to photography. Model encouraged her students to photograph subjects they were genuinely drawn to, emphasizing the importance of capturing images with emotional intensity. Fink’s work reflects this philosophy through his empathetic and sensitive portrayal of his subjects, making viewers feel intimately connected to the scenes. The interview is part of an online program by CAMERA, coinciding with exhibitions on Lisette Model and Horst P. Horst.
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Lisette Model | International Center of Photography
Lisette Model, born in Vienna, initially pursued a career in music studying under Arnold Schönberg before shifting to photography in 1933. After moving to Paris and apprenticing with Florence Henri, she immigrated to New York City in 1938. Her photography, characterized by candid depictions of everyday people, was featured in prominent magazines like Harper's Bazaar. Model was an influential figure in street photography during the 1940s and taught notable students, including Diane Arbus. Her work has been exhibited worldwide and played a key role in defining American documentary photography.
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Notes For A Portrait Of Lisette Model | Aperture | Spring 1982
This article is a reflective portrait of Lisette Model, a renowned photographer and teacher, written by R. H. Cravens in Spring 1982. It explores Model’s private life, her artistic philosophy, and her unique approach to photography, emphasizing her precision with light and her candid, unvarnished human subjects. The piece describes her guarded yet warm personality, her vibrant New York home, and her profound connection to France and music. It also discusses the challenges of capturing the essence of a photographer through writing, highlighting Model's preference for privacy and the metaphysical complexity of portraying an artist of light through words.
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Lisette Model: "A History of Street Photography" (2001)
Lisette Model, originally from Vienna, turned to street photography during the rise of Hitler to support herself. Her work captures the corrupt and grotesque aspects of society, often portraying subjects with a brutal, almost beastly quality. Model’s large, rough prints emphasize a universal human brutishness, reflecting both European decadence and American vulgarity. Her street portraits provide a direct, aggressive confrontation with her subjects, and her later work explores expressionistic reflections and perspectives that create an oppressive, claustrophobic atmosphere.
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Miyako Ishiuchi: “I took photographs to be in the darkroom”
Miyako Ishiuchi, born in 1947, is featured in two current London exhibitions at Tate Modern and Michael Hoppen Gallery. Beginning photography at age 28 under mentors Shomei Tomatsu and Daido Moriyama, her early work, such as the 'Yokosuka Story' series, reflects gritty black-and-white images of a declining town influenced by a former US naval base. Her exhibitions at Michael Hoppen Gallery include early black-and-white works and recent color series like 'Silken Dreams' and 'Hiroshima', which features delicate photographs of items recovered after the atomic bombing. Ishiuchi often embraces imperfections in her photos to evoke emotional impact.
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Interview Arnaud Montagard
Arnaud Montagard developed an interest in photography in 2006, initially capturing abandoned places connected to his graffiti pursuits. He focuses on street photography, emphasizing natural light, geometry, and color to reveal the overlooked details of everyday American life. Montagard draws inspiration from American realist painters like Edward Hopper, aiming to evoke human presence through absence. His book, "The Road Not Taken," explores rural America beyond clichés, revealing the ordinary as meaningful. He values storytelling and often conducts extensive research before projects, including his documentary work on Cowboy Poetry.
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"The road not taken" by Photographer Arnaud Montagard
Arnaud Montagard is a French photographer based in Brooklyn, New York, who transitioned from marketing studies to pursuing photography full-time. Inspired by American culture, films, and street graffiti, he traveled extensively across the U.S., capturing iconic Americana motifs such as motel signs, vintage cars, diners, and drive-ins. His series "The road not taken" highlights the juxtaposition of change and timeless iconicity in America through carefully composed images emphasizing light and color.
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