Sealskin: Reviewed by Blake Andrews
Sealskin is a photobook by Jeff Dworsky that presents an idyllic and nostalgic view of his formative years in Maine during the 1980s. The book blends family photographs and social documentary, capturing coastal village life, nature, and intimate portraits, all shot on Kodachrome 64 film. The warm, amber tones evoke a calming, timeless quality. Edited and published by Charcoal Press, Sealskin reflects themes of rural life, nature, and the passage of time amid social change and gentrification.
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Emerald Drifters: Reviewed by Madeleine Morlet
Emerald Drifters, Cig Harvey's fifth monograph, invites readers to rediscover wonder through color and beauty across 224 pages featuring 101 photographs and various creative texts. The book challenges the modern scientific dismissal of beauty by presenting it as a fundamental and irreducible aspect of reality, blending images and essays that explore pleasure, heartbreak, and the divine. Notable sequences in the book evoke deep emotional connections and reflections on life, death, and the sublime. Harvey's work serves as a call to embrace life's fleeting moments and the beauty inherent in existence.
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Book of the Week: A Pick by Laura M. André
Laura M. André selects The Louisiana Book by Rineke Dijkstra as the Book of the Week. Published in 2017 by the Louisiana Museum of Modern Art and Koenig Books, this retrospective catalogue features comprehensive images from Dijkstra's notable series, including stills from her videos. The book includes insightful essays and reference texts, making it an essential resource for understanding this historically significant artist. André highlights the uniqueness of Dijkstra’s portraiture, which captures transitions and is supported by her unmatched technique and rigor developed over nearly three decades.
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Time is out of joint. Photography 1966 – 2011
The Berlinische Galerie presents a comprehensive retrospective exhibition of Boris Mikhailov's photography, spanning from 1966 to 2011. Born in Ukraine in 1938, Mikhailov's work uniquely blends documentary and conceptual art, capturing the existential and threatening aspects of everyday life, especially during the social transformations following the Soviet Union's collapse. His series document poverty and despair as consequences of the repressive Soviet regime. The exhibition showcases his diverse techniques and styles, illustrating his ability to shift between humor, irony, and blunt realism, highlighting his significant contribution to contemporary photography.
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Photographic Inspirations: The Phaidon 55 Series
The Phaidon 55 series, launched around 2000, is a collection of pocket-sized monographs dedicated to individual photographers. Each volume presents 55 images accompanied by brief commentary and an introductory essay. Designed to be affordable and portable, the series aims to provide accessible introductions to key photographers' work, encouraging collection like Penguin Classics in literature. The books feature uniform design but vary in image selection and commentary style, with contributions by curators, critics, and photographers. Though the original paperbacks were valued for their usability, a later hardback edition raised prices, making them less accessible. The series remains influential for visual education and photographic writing.
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Picture this; Shome Tomatsu 55
The Phaidon 55 series offers pocket-sized photographic books featuring 55 shots by renowned photographers, priced affordably at £4.95 each. The series includes works by the likes of Shomei Tomatsu, Boris Mikhailov, and W Eugene Smith, accompanied by detailed captions and insightful essays. The books emphasize the evocative power of black and white photography, as seen in Tomatsu's stunning ocean imagery. Mikhailov's works depict the bleak reality of the former Soviet Union, while Smith's portfolio showcases a blend of journalistic and artistic excellence. This collection represents excellent value and contributes significantly to photographic publishing.
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Deana Lawson: An Aperture Monograph
Deana Lawson: An Aperture Monograph showcases the work of Deana Lawson, a photographer focused on black expressive culture and the African Diaspora. Over the past decade, Lawson has developed a distinct visual language through large-format portraiture and social documentary-style images, depicting black identities with deliberate, theatrical scenes rich in fine details and vibrant colors. The book features forty-five photographs and includes an extensive interview with filmmaker Arthur Jafa. Contributions include an introductory essay by Zadie Smith, exploring Lawson's themes and artistic influences.
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Visual Arts Review: The Photographs of Deana Lawson – Portals to Possibilities
The exhibition of Deana Lawson at Boston’s Institute of Contemporary Art features eight rooms filled with her evocative photographic portraits spanning over 20 years. Lawson’s work deeply explores themes of Black identity, family intimacy, and the complexities of personal and social history. The images invite viewers to create their own narratives, often juxtaposing freedom and captivity, reality and mythology. The show’s design, from red carpeting to strategically placed crystals, creates an immersive environment that isolates the art from the outside world, encouraging close engagement. The presence of music and video enhances the emotional impact in later galleries.
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Deana Lawson's new monograph collects 15 years of images that engage and challenge the picturing of Black life
Deana Lawson's new monograph, published by Mack, compiles 15 years of her photography that offers nuanced, celebratory portrayals of Black life. Blending family photos, portraits, collage, and photojournalism, her work explores themes of mythology, sexuality, religion, and dreams, aiming to move beyond reductive popular depictions of Black people. Lawson carefully stages intimate moments to reveal the beauty and multiplicity of Black identity, focusing on everyday experiences filled with joy, love, and complexity. Her images challenge monolithic narratives and affirm Black life as shaped by community and history.
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Deana Lawson’s Curtains
Deana Lawson's photographic work focuses on the everyday lives of low-income Black families, captured through staged, intimate portraits set in detailed domestic environments. Her 2018 monograph published by Aperture features large-scale images that blend mythic and mundane elements, often highlighting personal artifacts such as family photographs and distinctive curtains. Lawson's portraits challenge conventional representations by presenting Black subjects with dignity and depth, exploring themes of family, identity, and socioeconomic realities. The monograph includes an insightful essay by Zadie Smith that discusses Lawson's evocative narratives and visual storytelling.
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Ruhr Museum in Essen Shows Its Own Photo Collection: "From A to Z"
The Ruhr Museum in Essen presents its own extensive photo collection in an exhibition titled "From A to Z. Photography at the Ruhr Museum," running from October 1, 2012, to April 14, 2013, at Zeche Zollverein. The exhibition features a wide range of photographs documenting social history, industrial heritage, and everyday life in the Ruhr region and beyond, including works by renowned photographers such as Ruth Hallensleben and Bernd and Hilla Becher. It is the second part of a series aimed at making the museum's collections accessible until 2017. The photo archive holds around three million images, with one million digitized.
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Girls Standing on Lawns Real — Maira Kalman
This project is a collaboration between Maira Kalman, bestselling author Daniel Handler (known as Lemony Snicket), and The Museum of Modern Art. It features photographs from MoMA's collection, paintings by Kalman inspired by those photos, and lyrical prose written by Handler. The work uniquely blends visual art and literature, exploring the theme of girls standing on lawns through multiple artistic lenses.
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